Monday, August 24, 2026

Interview with John Brantingham and Scott Creley, June 1, 2012, San Gabriel Valley Literary Festival

 

An Interview with John Brantingham and Scott Creley, June 1, 2012, San Gabriel Valley Literary Festival. Since then so many things have occurred and many lives have changed. We lost John, April 5, 2026, a visionary with a heart of gold.

Augie’s Quick Post

           Today we welcome back John Brantingham who is a Poet, Short Story Writer, Mystery Writer, full-time Professor of English and Creative Writing at Mt San Antonio College, a member of the Long Beach, Calif. Poetry Festival, And Scott Crely who is a Poet as well as a Professor of English at Whittier College. Both men are involved with the Mt SAC Writers’ Weekend Venue and now I understand that there is a new endeavor.

 

Augie: Welcome John, oh hey Scott

John: Thank you so much for interviewing us.

Scott: Hey Augie

Augie: First of all, John, you carry a lot on your plate, besides staying on top of more than one hundred students in a semester. How are you able to juggle so much and still have a personal life?

John: It isn’t easy. The truth is that there are very few days when I’m not working on one thing or another, but the great thing is that so much of what I do, I love. If I had all the free time in the world, I would write and read and do nothing else, but much of what I am doing is related to the literary community. It also doesn’t hurt that my personal life is tangled up in my work. My friends are generally students and colleagues, and what we like to talk about is writing.

Augie: I understood at our last interview September 2011, you spoke of an exciting project that you, Scott Creley, Elder Zamora and your gorgeous wife Ann will be bringing to the San Gabriel Valley in West Covina, The San Gabriel Valley International Literary Festival.

John: Yes, we’re going to have a literary festival in West Covina in February of 2013. It’s going to bring in people from all around Los Angeles, the country, and the world, and it’s going to highlight the work of people living in the San Gabriel Valley. We have a lot of talent here, but often there is no place to showcase our work, so people feel that they need to travel someplace else. However, there is as much artistic genius and beauty in the San Gabriel Valley as anywhere else. It simply hasn’t been fostered in the way that it could be. So, the idea is to bring the kind of literary festival here that we’ve seen in the big cities around the world. I am so excited about the festival right now. We’ve been doing a lot of behind the scenes kind of work so far, but we’re going to start recruiting and advertising soon.

Augie: John, that is fantastic, I hope to be a part of this history making event, you are so right there is much talent just outside our doors. I understand that there have been donations from different venues who have aided you in this venture. I do not want to call it an event, for this is not a one time, is this correct?

John: There has been some, but we’re going to need much more. That’s our greatest need. After all, the more money we have, the more people we can bring in.

Scott: Unfortunately, it's expensive to get people to the festival, make sure they have somewhere to stay, and pay their speaking fee.  This is to say nothing of all the practical costs of running a large event.  It's worth the big cost, but we will need every cent we can get.

In regard to your other question, it’s absolutely not a one-time event. We are hoping to do this yearly and we have readings and events throughout the year. You can check these out by going to the Facebook page for the San Gabriel Valley Literary Festival and to sgvlitfest.com

Augie: Tell us about the City involvement, how were you able to raise the funds for the building.

Scott: West Covina has been extremely supportive of the event.  They're providing a venue and making inroads to getting human involvement.  We won't go into the boring details, but we're helping West Covina with program advertisement and promotions, and they're helping us to put on the event in City Hall and its surrounding environs. 

Augie: Scott, since the City of West Covina is involved, this implies that the San Gabriel Valley Literary Festival holds a non-profit status?


Scott: Yes. Non-profit status is important for any group pursuing these kinds of goals.  Our group is providing a true service to the community, so we've pursued a non-profit status.

Augie: Tell us about your website.

Scott: Our website is following to more “modern” model of web advertising – it's one cog in a larger mechanical cluster.  It's designed to provide an informational foundation alongside the content of our more fluid Facebook and Twitter accounts. Our web presence provides information about the festival but also provides a huge amount of related content – online journals, interesting videos and articles, and publications from our staff and volunteers.

We don't want to just provide a place for people to go about information about the festival, we also promote our monthly reading and collect writing from all sorts of sources.  On 9/11, for example, we put together an online memorial chapbook with work from everywhere.  We do the occasional interviews, profiles, and promote writing visitors will find interesting.

Our web presence is one of the things that will differentiate us from other writing festivals.  Unfortunately, the literary establishment has been somewhat slow to adapt a dynamic web presence, we want to provide a content source literary and artistic people can visit.

Finally, our site is going to be one of our more important fundraising facets, it links to all the ways a person can donate to us (by using our Amazon.com click-through, donating via PayPal, supporting our kickstarter).

Augie: Scott, is there any other plans for fundraising before the February date?

Scott: Yes, we'll have our ongoing monthly readings, releases of a special printed and audio chapbooks featuring work from writers like Christopher Buckley, Gary Young, Derrick McKown, Gerald Locklin, Murray Thomas, Eric Morago, Luke Salazar, Christine Kitano, and many others.  We're also trying to host concerts around Pomona and West Covina, fundraising dinners, and other related events.  We're going to be a very busy group.

Augie: Sounds like you know where you’re going. Will there be a need for professional artists as well as amateurs’ artist to become involved. If so, what are those needs and will there be taxable write-offs for donated hours?

Scott:  We need them very badly – the web is very visual, and we want to focus on emerging artists as much as established writers.  Fortunately, a lot of professional artists and gifted amateurs have stepped up and donated their time.  Our logos were designed by Alex Torrez, our banners by David Falkinburg, and some of our painted banners by painter Carly McKean.  These people are all showing gallery work and we're very excited to have their cache with us.

We still need more banners for our website and wouldn't mind a redesign of our website by a professional designer.   It's a great chance for any artist, new or established to have their work showcased alongside the likes

Augie: What types of donations are needed (professional volunteers, monetary donations, equipment donations, art supplies, paper, etc)? On the sidebar a Literary Philanthropist would be great. 

Scott: I'm assuming this is referring to the West Covina Arts building?  We'll need to fund every aspect of the program space, supplies, staffing, and taxes.  It's going to be a challenging endeavor.  It has all the burdens of a small business, but without the regular revenue of selling a product.  We'll need to furnish the building, make a competitive graphic design suite, and build an art studio as well.  We want the center to work for artists of every stripe and to provide as much free education and workspace as possible.  So, yes, we'll need donations of all types – man hours, monetary, and donated equipment -- from across the board.

Augie: Will there be a showcasing of published printed work as well as art on the walls of the building?

Scott: (During the Festival) Yes, we want to hang broadsides and art around the festival, cost allowing and yes, we also want to publish the work of participation writers if possible.

Augie: Will this be a safe environment for all artist and is there an age factor?

John: One of the goals is to provide a place for all artists of all ages and all experience levels. We truly want art without attitude. Of course, there will be a place for our professionals, but that will never happen to the exclusion of the people we really want to serve and that’s the community members.

Augie: If it is within the barriers of cost will there be on-going classes offered by professionals?

John: Yes, absolutely! There will be readings and workshops.

Augie: Will there be tickets sold for the event in February 2013.

John: No, this will be absolutely free.

Augie: My goodness, you guys have really put yourselves out there. What collaborations do you need?

John: We want people to be as hands on as possible. We’d truly love for this to be a community event with people joining us as much as possible. We’re going to run readings and other events until then, but we’d love people to come to us with ideas. We can provide backing in terms of experience and connections.

Augie: Will there be a brochure featuring artist work from like T. Anders Carson, John Buckley, John Brantingham, Ann Brantingham’s art, Poets Michael Torres, Michaelsun Knapp, Charlotte San Juan, Jo Scott-Cole, and work from fellow authors and friends of the SGV Lit Festival Sunny Frazier and Bonnie Hearn Hill and others?

Scott: As I mentioned, we're definitely doing publications based around participants.  It won't just be local artists – we're going to invite the likes of B.H. Fairchild, Gary Young, Christopher Buckley, and we’re hoping they'll want to showcase some of their work in the program we'll provide.

Augie: Wow, nice headliners. Will you offer free advertisement to those companies and/or participants who donate to the festival?

Scott: Yes.  But we're actually going deeper than that.  We want to showcase other non-profits in an exchange of advertising, and we also want to allow companies the opportunity to sponsor specific artists or events.  We have a lot of different venues for advertising – we have our website, our twitter, physical advertising during the festival, booth space during the festival, and advertising in the publications promoting the festival.  We're hoping we can make use of all that space to raise funds. 

Augie: This brochure or program sounds expensive. How will you meet the cost at such a pivotal time of organization as well as presentation of your first festival?

Scott: There will be a program.  We'll probably mostly provide it as a digital download for smartphones.  Hopefully, we'll be able to get very interactive and have an on-site digital map and schedule people can download straight to their mobile devices. We'll definitely have a program people can download and print if they want it. We might offer a sort of “deluxe” program to donors – something that has all the event information as well as a sampling of art and writing related to the festival. 

Augie: Why this idea of the San Gabriel Valley Literary Festival? John, I recalled you mentioned through an earlier conversation that you visited Wales and Dylan Thomas’ Gravesite and that you wanted to create a permanent center for art, writing and music.

John: People don’t see the San Gabriel Valley as a place for art. There are great programs in the Inland Empire and in Los Angeles, and residents tend to feel that they have to leave our area if they are going to pursue their artistic vision. However, there is as much artistic genius and passion in our area as any other. What we want to create is a place that fosters that genius, and we want to do it here. What I saw in Wales was good, and it seemed right that Swansea would have festivals, but in terms of population, Swansea is tiny compared to the San Gabriel Valley. We deserve that kind of artistic experience here.

Augie: Thank you, John and Scott, I believe this festival and its future claims will be recognized as a catalyst to bring new breath into the community. You will open new doors that many of us never knew existed, an opened door home for the arts which brings hope back into communities. Where else can a venue of this magnitude be found? I’m sure you, the audience, are just as excited for the Inland Empire as I am.

On a personal note, I am proud of what you and the other volunteers are doing to acknowledge talent in our own back yard. I hope this will be the building blocks for future writers as King, Adler, de Angeli, Cornwell, Danney & Lepofsky and others.

Thank you once again John and Scott for stopping by, I hope to hear from you closer to the event, until then, “Keep your backs off the walls and allow the harvest to grow.”

John: Thanks for having us Augie

Scott: Thanks Augie

Augie: It was a pleasure speaking to you both. Folks make a date for February, 2013 in West Covina, the first of many events at the San Gabriel Valley Festival, more details will follow. But in the meantime, you can reach John, Scott, Elder or Ann at the sgvlitfest.com website, twitter http://twitter.com/#!/sgvlitfestival

Keep reading and writing.   Augie

 

Monday, August 14, 2023

Bouchercon 2023 San Diego, Ca.

 Hope to see you here!




Kiiller Nashville August 17-20, 2023

 I hope to see you there

Killer Nashville’s
18th Annual
International
Writers’ Conference

August 17-20, 2023
Franklin, TN
Embassy Suites Hotel
& Convention Center

YOUR PATH TO PUBLISHING

Tuesday, August 3, 2021

So many things have occurred since this posting. Technology has advanced in the area of computers, telephones, games, etc. We are dealing with a pandemic of catastrophic outcomes. Conditions in our lives have changed. 

Yet, we still write!

Excerpts from February 2012 post

I posted this blog February 2012. How much has writing changed? How has publishing changed? 

The question was asked from the blog of Brian Feinblum, What Books and the Publishing Landscape Will Look Like in 2016 (see below). Five years later (2021), what does the landscape look like? 

What do you think?

Posted by http://bookmarketingbuzzblog.blogspot.com/2012/04/what-books-publishing-landscape-will.html  

             

Thursday, April 19, 2012

What Books & The Publishing Landscape Will Look Like In 2016

One question – 30 answers!

I recently asked dozens of authors and members of the book publishing community to present their thoughts on the state of books for the future. I figured if presidential elections are every four years, why not ask about 2016 for publishing? Below are the diverse responses I received – unedited. In the near future I will reveal my own view of the future of book publishing. Brian Feinblum

“The future will continue to be about the power switch from publisher to author. This is a very exciting time in publishing. We have more options than ever before for publishing our titles and authors have the ability to go it alone in ways they never could. As time goes on, I see the larger publishers finding their way and continuing to add value to an author’s work through editorial, production and marketing efforts. They seem to be adapting to the e-book landscape very well and probably don’t get enough credit for that. As long as they continue to add this kind of value they will thrive. But authors will never need them the way they did to get published so the pressure to remain relevant will not go away. At the end of the day, the best books will rise to the top, whether they are self-published or released by a larger corporation, and that will be the way it is decades from now.”

--Scott Waxman, Founder of Diversion Books www.diversionbooks.com

“Just as a boomer found the transformation from black & white TV to color remarkable, the book world in 2016 will be very different. Publishers will provide content but books will be one (probably small) part of the way the content is delivered. People will read on laptops, phones, Ipads, Kindles, Nooks, etc...those of us who like to turn pages will be part of a distinct minority.”

--Debra Englander, Editorial Director, John Wiley & Sons

“What a great question. It seems like our industry is always trying to guess what the landscape will look like in a few years. Would anyone have guessed Navy SEAL memoirs would be a hot four years ago? I think we need to be prepared to adjust and change to the new technology formats that will appear. When I started in the industry, publishing was old-fashioned and resistant to change. Now, publishing is adaptable and looking for the cutting-edge new ideas . We all have to be open-minded and keep abreast of the tech world which used to be separate from the book world. To be out-of-date is career suicide.”

--Kim Bouchard, Sales, Operation and Event Manager, Macmillan Speakers Bureau, www.macmillanspeakersbureau.com

“It’s been said that all good things come to an end. I can only hope that’s not true for paperbacks and hardcover books. While eBooks have become popular and the way to go, they definitely have a place, however, I don’t see them replacing the traditional way completely. There’s something about holding a book in my hands that is all part of the excitement of getting lost in a great story. Grasping it in my hands and holding that corner of the next page waiting until I reach the final word on the one before so I can hurriedly flip it over and see what happens is the soul of reading a book. Another part in all this is that some people can’t afford the Kindle or Nook or Sony eReader or the others that are out there. That’s where the original books come in even further than just the phenomenal feeling of holding the book. This feeling is something that people who are around thirty-five years old and older can relate to. Here’s hoping that we can pass the feeling along to the younger generations to keep it where it belongs, front and center, the soul of any great story. 

“EBooks are great because they’re instant gratification and much more inexpensive than regular books. You can carry hundreds of bestsellers on one small tablet. And since you can carry it with you everywhere you go, you can sneak a peek at any book you’d like at every and any free moment. There’s something to be said for that. They are here to stay, but I don’t see them being all that’s available now, or ever.”

--Terri Ann Armstrong, author of seven books and executive editor at www.suspensemagazine.com 

“The economics of publishing will continue their trend of the past few years, as self-publishing becomes a less expensive and more attractive option for authors. If publishers want to remain relevant, they will have to show that their distribution and marketing capabilities will lead to stronger sales than self-publishing can deliver, or otherwise demonstrate their value-add.”

--Randall Bolten, Author Of Painting with Numbers: Presenting Financials and Other Numbers So People Will Understand You

“I believe that ebooks will sweep the market and more and more people will own an eReader or iPad in some form or another. Print publishers will cave to the pressure of environmentally conscious readers and begin selling more ebooks than print. Given that books stores, even big name stores are shutting down now due to an overwhelming need for ebooks over print, I think the days of traditional bookstores will be a thing of the past and ebook stores will take over.”

--Author Shiela Stewart www.shielasbooks.ca

“From the (optimistic) viewpoint of an editor for children’s literature, I believe that there will always be a demand for hardcopy picture books. Young children enjoy hearing the turn of a page, touching the page, and exploring the page especially when the book is printed in large format. I believe that the uncertainty of the publishing market will diminish and that publishers will grow their (hardcopy) lists again. I also feel however, that ebooks may exceed the sale of print books because they cost less than print books.”

--Randi Lynn Mrvos, Blogger and children’s magazine nonfiction editor

www.themaggieproject.blogspot.com

“Books will still look like books, though the majority of them will be primarily in ebook format by the year 2016. The pace of digital domination in books will only increase in the next four years, and it will continue to reshape the way people read books and the way publishing houses and book retailers do business.

“Publishers will see their revenues decline--and, if they're doing things right, their profit margins will somewhat ironically increase. This won't happen without some pain. Sales forces will be slashed, warehouses and other fulfillment and back office functions will be shut down or severely curtailed, and marketing efforts and dollars will shift their focus almost exclusively to the ebook marketplace. Editors and designers will continue to make most of the commercially successful books while working at or for publishing houses. And authors will continue to fight for higher royalties, as they feel the continual squeeze of tighter margins forced upon them by the overall market.

“The retail sector in 2016 will be largely shaped by the outcome of the Justice Department suit against publishers who have allegedly colluded to fix retail prices. If the JD prevails, Barnes and Noble will be crippled in its ebook retailing strategy, which may be enough to knock them out of the book business altogether. Their bricks and mortar stores will either morph into instant printing centers or revert back to the B. Dalton model of narrow selections of bestsellers in smaller physical spaces. In this scenario, Amazon could become a totally dominant force as a retailer and a publisher, controlling both what gets published and how it is sold.

“More likely, however, some sort of settlement or compromise will be reached that keeps publishers in the publishing business and Amazon primarily in the retailing business. Once Amazon experiences firsthand the thin gruel of profits to be made from the chancey and time-consuming business of book publishing, it will abandon its publishing efforts and focus on its retailing and digital expertise instead.

“All this is not bad for the book publishing world, nor for the reading public. It's the dawn of a new age that will reshape, yet not destroy, the centuries-old traditions of reading and writing book-length material.”

--Mike Urban, www.mikeurban.net

“I expect by 2016 that 50% of the books sold will be trade paperbacks and 50% ebooks, with hardcovers reserved for 'coffee table' outsized special books, or a handful of well-known writers for collectors of first editions. There are too many e-readers with increasing popularity and ease of publishing for that not to continue to rise. Those of us who still wish to hold a book in our hot little hands will be content with trade paperback sizes. I'm probably representative of the average middle-aged reader: I want that book to hold when I'm home reading, but will use my iPad for travel and vacation reading, for ease of packing.”

--MK Graff writes a weekly crime review blog on www.auntiemwrites.wordpress.com and is the author of a mystery series, set in the UK: Thhe Green Remains debuts this month (www.bridlepathpress.com) 

“In 1985 Spielberg showed his vision of the world in Back to the Future 2 as futuristic with flying cars, and his projected year was 2015. I think people expect these levels of dramatic changes in book publishing with holograms for readers and everything electronic, but as we quickly approach the future the world is only partially different and the realism is a bummer.

“Book publishing and it’s landscape will still have the same ingredients 2016 because you cannot replace human networking with new technology entirely. There will still be industry leaders who run large publishing houses that have personal networks that can get books in readers hands on a big scale, and no matter how good an indie book is indies cannot compete at that level. Great indie books can still win the lottery when they get found, but they most likely will get lost in the plethora of books that increase every year because technology enables people like me to publish a book with only little help. Therefore in 2016 there will still be major publishers producing high-profile books AND the number of indie and self-publishers will continue to increase since profits are not always their main goal. Technology makes going at it alone much easier. In this pool of self-produced art is where the great indie books will tread without having a chance of getting noticed.

“Notice I didn’t quote an indie movie because my audience wouldn’t get the metaphor, so we will always need majors and minors so we have standards to compare our art too.”

--Dane Batty is the author and publisher of the biography Wanted: Gentleman Bank Robber. www.nishpublishing.com

“By 2016 I think we will see many more people buying electronic readers (Kindle, iPad, Nook) and a continued rise in ebook sales. I also think that book marketing will depend even more on online platforms and promotions. It is also likely we'll continue to see continued erosion in middle range sales performers--the few bestsellers will do even better and the rest will have to compete for whatever leftover attention they can get. That said, as a book lover myself I always prefer print over ebooks. Therefore, I believe that the migration to ebooks will stabalize at some point, albeit I doubt that would happen by 2016.”

--Guy Winch Ph.D., Author: The Squeaky Wheel and http://www.guywinch.com

“Publishing in 2016: What I’m afraid of is a much greater problem with books that are not vetted well, or not at all, whether they are self-published or put out by small or large presses. Already today we have too many titles that are not balanced reports, are full of inaccuracies (even in fiction), and are poorly written, edited, copy-edited and designed. “

--Linda Carlson, author, “Company Towns of the Pacific Northwest,” www.lindacarlson.com

 “I have no clue. Seriously, the longer I've been writing, the less I understand about how it all works and what will happen next. I'm just hoping that there will be plenty bookstores and websites for me to browse, and that my books will still be being published. “

--Toni L.P. Kelner co-editor of HOME IMPROVEMENT: UNDEAD EDTION

 “More and more Indie publishers and authors will continue to pop up. We now live in a techno-savvy world where the intelligent author can take matters into his/her own hands and make things happen for themselves. We authors are no longer at the mercy of a handful of big publishing houses, but now have OPTIONS! Yay! I think things will get easier in some ways, but the market will also become flooded with books—some will be sub-par. Just the way it has to be. But we all learn and grow and get better by doing. More power to the struggling author. That’s cause for a resounding virtual high-five!”

--Pamela Swyers www.pamelaswyers.com www.swyerspublishing.com

Read more at http://bookmarketingbuzzblog.blogspot.com/2012/04/what-books-publishing-landscape-will.html 

Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer, the nation’s leading book publicity firm. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person


Monday, April 9, 2018

I'm Volunteering....why aren't you

Los Angeles Times Festival of Books

Los Angeles Times Festival of Books

April 21-22, 2018
The Los Angeles Times Festival of Books is a free, public festival celebrating the written word. It is the largest book festival in the United States. Campus of the University of Southern California


Mt Sac Writer's Weekend Coming Soon...April 20-22, 2018


new release late spring '2018

             Laid Hard & Fast

                                Black Opal Books
 

Sunday, September 18, 2016

Conferences and Events for 2018

Hope to see you there!


 
 
    Writing in the Pines
    Apr 14 2018 in Galloway NJ
 
    Writing with Fire with David Hazard
    Apr 14 - 20, 2018 in Ireland
 
    2018 Las Vegas Writer's Conference
    Apr 19 - 21, 2018 in Las Vegas NV
 
    Chanticleer Authors Conference 2018
    Apr 20 - 22, 2018 in Bellingham WA
 
    Proprioceptive Writing with Kaitlin Briggs
    Apr 28 - May 5, 2018 in Ireland
 
    Breakout Novel Intensive 2.0
    Apr 9 - 15, 2018 in OR
 
    3-Day PW Immersion
    Apr 12 - 15, 2018 in San Rafael CA
 
    Writing Retreats in Mexico
    Apr 16 - 22, 2018 in Barra de Navidad, Mexico
 
    Ann Wylie Master Classes: Writing workshops
    Apr 17 - 18, 2018 in New York NY
 
    The Loft's Pitch Conference
    Apr 20 - 21, 2018 in Minneapolis MN
 
    Chicago-North RWA's Spring Fling 2018
    Apr 20 - 21, 2018 in Oak Brook IL
 
    Writing By Writers Boulder Generative Workshop
    Apr 20 - 22, 2018 in CO
 
    Bearing Witness: A Journey Into You
    Apr 21 2018 in Marietta GA
 
    The Spring Writers' Conference
    Apr 21 2018 in Rochester NY
 
    The Belize Writers' Conference
    Apr 23 - 28, 2018 in Belize
 
    The Creativity Workshop in New York, USA
    Apr 27 - 30, 2018 in USA
 
    Write Now! 2018
    Apr 28 2018 in Raleigh NC
 
 
    River View Writing Getaway
    May 4 - 6, 2018 in Garrison NY
 
    Writers Retreat Workshop
    May 22 - 31, 2018 in Boise ID
 
    Ann Wylie Master Classes: Writing workshops
    May 1 - 2, 2018 in Denver CO
 
    The Nonfiction Writers Conference
    May 2 - 4, 2018 in Gold River CA
 
    Emerald Coast Christian Writers Conference
    May 2 - 5, 2018 in AL
 
    Writing Workshop: Obituaries to Die For
    May 3 - 4, 2018 in Mokelumne Hill CA
 
    Fifth Annual Christian Editors’ Conference
    May 3 - 5, 2018 in Grand Rapids MI
 
    2018 Northern Colorado Writers Conference
    May 4 - 5, 2018 in Fort Collins CO
 
    Mokule‘ia Writers Retreat
    May 6 - 11, 2018 in Waialua HI
 
    Readers and Writers at Sea
    May 6 - 20, 2018 in Barcelona-Spain
 
    Lakefly Writers Conference
    May 11 - 12, 2018 in Oshkosh WI
 
    Visual Mindscape Screenwriting in
    May 14 - 21, 2018 in Ireland
 
    Writing By Writers Methow Valley Workshop
    May 16 - 20, 2018 in WA
 
    Pennwriters Conference
    May 18 - 20, 2018 in PA
 
    The Red Ink Conference
    May 19 2018 in Troy MI
 
    Novel-In-Progress Bookcamp & Writing Retreat
    May 20 - 26, 2018 in WI
 
    WRITE AWAY PRAGUE
    May 20 - 26, 2018 in Czech Republic
 
    Women's Writing Retreat
    May 26 - Jun 1, 2018 in Greece
 
    James Jones Writers Workshop Retreat
    May 27 - Jun 3, 2018 in New Harmony IN
 
    The Story Retreat
    May 28 - Jun 1, 2018 in GREECE
 
    Rhys Bowen: "Novel in a Week" in Tuscany
    May 29 - Jun 7, 2018 in Tuscany, Italy
 
    North Words Writers Symposium
    May 30 - Jun 2, 2018 in AK
 
    The Creativity Workshop in New York, USA
    May 31 - Jun 3, 2018 in USA
 
    Colgate Writers’ Conference
    Jun 17 - 23, 2018 in Hamilton NY
 
Shore Thing Writing Getaway
    Jun 23 2018 in Atlantic City NJ
    Northwest Christian Writers Renewal
    Jun 1 - 2, 2018 in Bothell WA
    Yale Writers' Workshop
    Jun 2 - 7, 2018 in CT
    Mont Blanc Workshop - Writing By Writers
    Jun 3 - 14, 2018 in France
    Odyssey: The Summer Fantasy Writing Workshop
    Jun 4 - Jul 13, 2018 in Manchester NH
    Writers@Work Generative Conference
    Jun 6 - 10, 2018 in UT
    2018 Conference
    Jun 7 - 10, 2018 in Cincinnati OH
    Historical Writers of America Conference
    Jun 7 - 10, 2018 in RI
    Georgetown Indie Con
    Jun 8 - 10, 2018 in Georgetown CO
    Kachemak Bay Writers' Conference
    Jun 8 - 12, 2018 in Homer
    DFW Writers Conference
    Jun 9 - 10, 2018 in Hurst TX
    Yale Writers' Workshop
    Jun 9 - 12, 2018 in CT
    Women's Writing Retreat
    Jun 9 - 15, 2018 in Greece
    7th Annual West of the Moon Writer’s Retreat
    Jun 10 - 15, 2018 in New Harmony IN
    Writing With Care
    Jun 10 - 15, 2018 in CANADA
    The Creativity Workshop in Verona, Italy
    Jun 11 - 15, 2018 in Italy
    Writing Workshops in Greece: Thessaloniki & Thasos
    Jun 11 - Jul 9, 2018 in Greece
    Ann Wylie Master Classes: Writing workshops
    Jun 12 - 13, 2018 in Chicago IL
    Juniper Summer Writing Institute & Institute for Young Writers
    Jun 17 - 24, 2018 in Amherst MA
    Memoir Writing Workshop
    Jun 18 - 23, 2018 in Shadyside, Pittsburgh PA
    Minnesota Northwoods Writers Conference
    Jun 18 - 24, 2018 in MN
    St. Davids Christian Writers' Conference
    Jun 20 - 24, 2018 in Grove City PA
    The Creativity Workshop in Crete, Greece
    Jun 20 - 24, 2018 in Grece
    Kentucky Christian Writers Conference
    Jun 21 - 23, 2018 in Elizabethtown KY
    The Adirondack Mountain Writers' Retreat
    Jun 21 - 24, 2018 in Lake George NY
    Dublin Writers Conference
    Jun 22 - 24, 2018 in Ireland
    Conference on Poetry and Teaching
    Jun 23 - 26, 2018 in Franconia NH
    FRANCE WRITING RETREAT
    Jun 23 - 30, 2018 in France
    Paris Writer's Workshop 2018
    Jun 24 - 30, 2018 in France
    MYSTICAL SPIRIT: YOGA, MYTH, MAGIC & WRITING
    Jun 24 - Jul 1, 2018 in Ireland
    Fiction Writing Workshop
    Jun 25 - 30, 2018 in Shadyside, Pittsburgh PA
    The Great Writers Escape
    Jun 25 - Jul 1, 2018 in Italy
    Writing Intensive
    Jun 27 - 28, 2018 in Franconia NH
    The 27th Jackson Hole Writers Conference
    Jun 28 - 30, 2018 in Jackson WY
    Speak Up Conference
    Jun 28 - 30, 2018 in Grand Rapids MI
    Full-Bodied Writer Retreat
    Jun 29 2018 in Union WA
    Bali: Write, Travel, Transform on the Back Roads of Bali
    Jun 29 - Jul 13, 2018 in Indonesia
    The Creativity Workshop in Barcelona, Spain
    Jun 30 - Jul 4, 2018 in Spain
    Writing for Self-Discovery - A Summer Retreat in the French Alps
    Jul 1 - 8, 2018 in St Jorioz, France
    Get Away to Write - Wales
    Jul 7 - 14, 2018 in Snowdonia, Wales
    DISQUIET International Literary Program
    Jul 1 - 13, 2018 in Portugal
    Summer Writers Institute
    Jul 6 - 20, 2018 in St. Louis MO
    CREATING IMMERSIVE FICTION: THE NOVEL THAT READS LIKE A MOVIE
    Jul 8 - 15, 2018 in Ireland
    Summer Young Writers Workshop
    Jul 8 - 28, 2018 in Great Barrington MA
    The Creativity Workshop in Prague, Czech Republic
    Jul 9 - 13, 2018 in Czech Republic
    Greek Island Dream Story Dance Party
    Jul 9 - 19, 2018 in Greece
    Eleventh Annual Memoir Writing Workshop "Turning Memory into Story"
    Jul 12 - 15, 2018 in Las Vegas NM
    Realm Makers
    Jul 19 - 21, 2018 in St. Louis MO
    Juniper Institute for Young Writers
    Jul 22 - 29, 2018 in Amherst MA
    Leopardi Writing Conference
    Jul 23 - 27, 2018 in Italy
    Ann Wylie Master Classes: Writing workshops
    Jul 25 - 26, 2018 in Portland OR
    Steamboat Springs Writers Conference
    Jul 27 - 28, 2018 in CO
    Mississippi Writers Guild 2918 Conference
    Jul 27 - 28, 2018 in MS
    The Creativity Workshop in New York, USA
    Jul 27 - 30, 2018 in USA
    Pennsylvania Writers Conference
    Jul 29 - Aug 4, 2018 in Wilkes-Barre PA
    Lining Our Thoughts: A Poetry Workshop
    Aug 4 - 11, 2018 in Ireland
    Writers' Police Academy
    Aug 9 - 12, 2018 in Green Bay, WI
    Live Free and Write
    Aug 12 - 17, 2018 in Sunapee NH
    Mendocino Coast Writers Conference
    Aug 2 - 4, 2018 in CA
    Taylor's Professional Writers Conference
    Aug 3 - 4, 2018 in Upland IN
    10 Min Con
    Aug 9 - 11, 2018 in Covington KY
    Taos Writing House with Judyth Hill
    Aug 12 - 17, 2018 in NM
    Oregon Christian Writers Summer Conference
    Aug 20 - 23, 2018 in Portland OR
    The Florida Heritage Book Festival & Writers Conference
    Sep 22 2018 in St. Augustine FL
    UK Writer's Retreat
    Sep 1 - 8, 2018 in UK
    Ann Wylie Master Classes: Writing workshops
    Sep 6 - 7, 2018 in Atlanta GA
    2018 Colorado Gold Conference
    Sep 6 - 9, 2018 in Denver CO
    Kentucky Women Writers Conference
    Sep 13 - 16, 2018 in Lexington KY
    Unicorn Writers' Conference
    Sep 15 2018 in Purchase NY
    TUSCANY WRITERS RETREAT
    Sep 15 - 22, 2018 in Italy
    Breakout Novel Intensive 2.0
    Sep 17 - 23, 2018 in FL
    Ridgefield Writers Conference Mini-Event
    Sep 21 2018 in Ridgefield CT
    Be a Better Freelancer!®
    Sep 21 - 22, 2018 in Rochester NY
    Broadleaf Writers Conference
    Sep 22 - 23, 2018 in Decatur GA
    Plotting Madness Boot Camp
    Sep 23 - 26, 2018 in South Lake Tahoe CA
    Self-Publishing Boot Camp
    Sep 27 - 29, 2018 in South Lake Tahoe CA
    A Week Retreat for Women: Writing, Creativity and Ritual
    Sep 29 - Oct 6, 2018 in Bar Harbor ME
    Writing Getaway in Tuscany
    Sep 29 - Oct 6, 2018 in Italy
    Scene Structure Boot Camp
    Sep 30 - Oct 3, 2018 in South Lake Tahoe CA
    Italy, in Other Words Memoir Writing and Cultural Retreat
    Sep 30 - Oct 6, 2018 in Italy
    Write on the Sound Writers' Conference and Pre-Conference
    Oct 5 - 7, 2018 in Edmonds WA
    A Writer Within in Tuscany
    Oct 6 - 13, 2018 in Tavarnelle Val de Pesa, Italy
    Ann Wylie Master Classes: Writing workshops
    Oct 2 - 3, 2018 in Dallas TX
    Creatures, Crimes & Creativity
    Oct 5 - 7, 2018 in Columbia MD
    2018 Creative Retreat for writers, photographers
    Oct 5 - 7, 2018 in Mountain View MO
    The Creativity Workshop in New York, USA
    Oct 5 - 8, 2018 in USA
    Writing Getaway at Chateau du Pin
    Oct 8 - 15, 2018 in France
    TLA Power of Words Conference
    Oct 12 - 14, 2018 in Plainfield VT
    Northern Woodlands Conference
    Oct 12 - 14, 2018 in Fairlee VT
    James River Writers Annual Writers Conference
    Oct 13 - 14, 2018 in Richmond VA
    Christian Writers Guild of Santa Barbara
    Oct 20 2018 in CA
    Retreat to the Springs!
    Oct 26 - 28, 2018 in OH
    Sag Harbor Creative Nonfiction Writers Conference
    Nov 1 - 4, 2018 in Sag Harbor NY
    2018 Kauai Writers Festival
    Nov 5 - 11, 2018 in Lihue, Kauai HI
    Ann Wylie Master Classes: Writing workshops
    Nov 7 - 8, 2018 in Washington DC
    Fall Nonfiction Writers Conference
    Nov 8 - 9, 2018 in Gold River CA
    Winter Poetry & Prose Getaway
    Jan 18 - 21, 2019 in Absecon NJ
    The Loft's Wordplay
    May 11 - 12, 2019 in Minneapolis MN
ShawGuides http://writing.shawguides.com/ 



Sisters in Crime Annual Social Gathering at the Malice Domestic
                                                 Conference
                   4/28/2018 Bethesda North Marriot Hotel & Conference Center
 

Sisters in Crime Annual Breakfast at Bouchercon 2018
                         9/7/2018  St. Petersburg, Florida 

Sunny Frazier's Posse

First Book for Education

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A Few Lines

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BLACK OPAL BOOKS serves new and established authors. A
small boutique press who are dedicated to producing quality books for readers.
Helping experienced and debut authors to find a home for their stories that
just have to be told. Committed to producing well-written, properly-edited
books and provide an outlet for extraordinary work. This is not a vanity
publishing house, but a group of dedicated editors who want the best for their
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